Category: Reviews

Rolling Stone Magazine shared Anna Tivel’s new single, Fenceline, and had the following to say.

It’s easy enough to write a song that imagines a world without borders; much harder to write a song that takes on the present dark, harsh contemporary complexities and realities of borders and immigration. By avoiding any sweeping statements and sticking exclusively to rendering her narrator’s plight in vivid imagery, Tivel’s song does just that. But when a moment of revelation does arrive, it’s less inspiring than devastating: “Down here at the border,” Tivel sings to a swelling set of strings and dark piano chords, “I’m just an animal.”

The digital single is available now on iTunes, Spotify, and everywhere else. The full length LP will be released April 19, 2019 and can be pre-ordered via the Fluff and Gravy store, including Limited Edition color vinyl.

Ann Powers includes Anna Tivel’s “Small Believer” on her annual Top 10 Unheard Albums list for NPR’s The Record. The single, “Alleyway”, clocked in at #67 on NPR’s Best 100 songs of 2017 list. Powers opines that the album “repeatedly achieves this exquisite balance of the quotidian and the sublime with imagery that’s deeply poetic without being fussy, in musical arrangements that form like intuition around Tivel’s insights.

Anna Tivel’s fourth studio album ‘Small Believer’ is a collection of patchwork stories drawn from conversations with strangers, on the road, in restaurants, bars, and rest stops. Produced by guitar mastermind Austin Nevins (Josh Ritter, Anais Mitchell), the songs float on a raft of electric guitar, pump organ, and sparse bass and drums.

‘Small Believer’ is spacious and honest, a lyric-driven exploration of the things that move within us. Tivel takes great care with every syllable and every story, chipping away until what remains is blindingly true and deeply affecting.

The record is available now on lp, cd and digital formats, as well as at Spotify, iTunes and Amazon.

Limited edition gold vinyl, hand-numbered to 125 is in short supply.

Anna Tivel’s “Alleyway” clock in at #67 on NPR’s Best 100 songs of 2017 list. Jacob Ganz writes “Anna Tivel has one of those voices that shivers with intimacy, so even when she’s singing about cars and the weather, you lean in to hear how she puts the words together.”

Anna Tivel’s fourth studio album ‘Small Believer’ is a collection of patchwork stories drawn from conversations with strangers, on the road, in restaurants, bars, and rest stops. Produced by guitar mastermind Austin Nevins (Josh Ritter, Anais Mitchell), the songs float on a raft of electric guitar, pump organ, and sparse bass and drums.

‘Small Believer’ is spacious and honest, a lyric-driven exploration of the things that move within us. Tivel takes great care with every syllable and every story, chipping away until what remains is blindingly true and deeply affecting.

The record is available now on lp, cd and digital formats, as well as at Spotify, iTunes and Amazon.

Limited edition gold vinyl, hand-numbered to 125 is in short supply.

In Today’s installment of NPR’s Songs We Love, Anna Powers highlights Anna Tivel’s “Illinois”, from her most recent LP, Small Believer.  “A compassionate chronicler of those lives often overlooked, Tivel is simultaneously clear-eyed and open to dreaming”, Powers suggest. We couldn’t think of a more fitting description.

Anna Tivel’s fourth studio album ‘Small Believer’ is a collection of patchwork stories drawn from conversations with strangers, on the road, in restaurants, bars, and rest stops. Produced by guitar mastermind Austin Nevins (Josh Ritter, Anais Mitchell), the songs float on a raft of electric guitar, pump organ, and sparse bass and drums.

‘Small Believer’ is spacious and honest, a lyric-driven exploration of the things that move within us. Tivel takes great care with every syllable and every story, chipping away until what remains is blindingly true and deeply affecting.

The record is available now on lp, cd and digital formats, as well as at Spotify, iTunes and Amazon.

Limited edition gold vinyl, hand-numbered to 125 is in short supply.

“If you’re looking for elegant sorrow, for compelling and gracious misery, for poetic sadness, then Jeffrey Martin is the musician you need.” So says the today’s review at Folk Alley.  It’s not an uplifting album, at least on the surface. The songs are “dark and sad and real. And that – that realness – that’s what’ll make you want to listen to the next story. And the next. And the next.”

After Jeffrey Martin released 2014’s Dogs In The Daylight, the Portland Mercury posited that he “might be the best songwriter in Portland.” No Depression called the record “as close to a masterpiece as a folk album from an emerging singer-songwriter can get.” One Go Around is the long-awaited follow-up to that record.

There’s a quiet dignity to the 12 new tracks on One Go Around, but a kind of quiet desperation as well. With subjects ranging from the shocking story of William Burroughs’ casual murder of his wife during a drunken party, to themes of love found and lost, the stories hit hard, because we know we may not be far off from them ourselves in this time of uncertainty.

The record is available now on LP, CD and digital formats, at the Fluff and Gravy Store, Bandcamp, Spotify, iTunes and Amazon.

In addition to black vinyl there is a Limited Edition run on Red vinyl, hand-numbered to 123.

The headline at Impose Magazine today sums up Jeffrey Martin’s latest in just three words… “Very Powerful Music”.  The review goes on to go through a few tracks a bit more in depth, including “What We’re Marching Toward”, which is referred to as Martin’s “Pete Seeger moment”.

Check it out in full here.

After Jeffrey Martin released 2014’s Dogs In The Daylight, the Portland Mercury posited that he “might be the best songwriter in Portland.” No Depression called the record “as close to a masterpiece as a folk album from an emerging singer-songwriter can get.” One Go Around is the long-awaited follow-up to that record.

There’s a quiet dignity to the 12 new tracks on One Go Around, but a kind of quiet desperation as well. With subjects ranging from the shocking story of William Burroughs’ casual murder of his wife during a drunken party, to themes of love found and lost, the stories hit hard, because we know we may not be far off from them ourselves in this time of uncertainty.

The record is available now on LP, CD and digital formats, at the Fluff and Gravy Store, Bandcamp, Spotify, iTunes and Amazon.

In addition to black vinyl there is a Limited Edition run on Red vinyl, hand-numbered to 123.

Sassparilla is set to release their double cd, Pasajero/Hullabaloo, on June 17, but you can hear it, streaming in it’s entirety right now, at Consequence of Sound!

Pasajero was recorded in the Portland studio of Eels’ own Chet Lyster. Here, Blackwell says he attempted to “put a pulp novel to music,” adding “I didn’t want to force-feed the plot to people. I wanted them to make up their own story based on their interpretation of the metaphors.” To that aim, Blackwell made the dense consumable by presenting it via a wide swathe of Sassparilla’s influences. There’s the Door-esque psych jams like “Peaches” and “When You’re The Devil”; the sweet and sedative blues ballad “Cool Thing”; the sax-powered arena rock anthem “Overture”; and the album ending folk-pop ballad “Radio Child”, which wraps things up in a haze of romanticism.

The one common denominator of each song, though, is their studio luster and the balance of darker subject matter with shimmery and extravagant soundscapes.

Meanwhile, Blackwell moved out of the studio and into his own attic to record Hullabaloo. Here, the band delivers a crash course of their live show, which includes lots of group shouting, sweaty beards, and a slightly improvisational nature. There’s the Howlin’ Wolk-inspired blues-rock barnburner entitled Through The Fence”; “It Ain’t Easy”, which can only be described as gospel-on-acid; the hook-heavy ragtime jam “Cocaine”; the pure punk of “Why You Making It Hard”; and “The Hoot Song”, which Blackwell co-wrote and performed alongside his twin two-year-old sons. “I find whenever I’m stressed, tired, angry…a good hoot gets me back in line,” he said. “Kids: so much more wise than we are.”

Check it out the full article here, and pre-oder the double cd or mp3 here

“…a wonderful treat from artists at their best.” Ned Ragget – Pitchfork Magazine

Our friends at Pitchfork give high praise to Waterdrawn.

Read the full Picthfork review of Waterdrawn by Horse’s Ha here.